• Historical Fiction
  • General Fiction and Women Writers
  • YA Fiction
  • Suspense and Thrillers
  • Memoirs and Non Fiction
  • Classics and Mashups
Showing posts with label Medici. Show all posts
Showing posts with label Medici. Show all posts

Wednesday, April 16, 2014

"The Red Lily Crown" by Elizabeth Loupas~Author Interview!

 
SUMMARY :
 

Elizabeth Loupas returns with her most ambitious historical novel yet, a story of intrigue, passion, and murder in the Medici Court...


April, 1574, Florence, Italy. Grand Duke Cosimo de’ Medici lies dying. The city is paralyzed with dread, for the next man to wear the red lily crown will be Prince Francesco: despotic, dangerous, and obsessed with alchemy.

Chiara Nerini, the troubled daughter of an anti-Medici bookseller, sets out to save her starving family by selling her dead father’s rare alchemical equipment to the prince. Instead she is trapped in his household—imprisoned and forcibly initiated as a virgin acolyte in Francesco’s quest for power and immortality. Undaunted, she seizes her chance to pursue undreamed-of power of her own.

Witness to sensuous intrigues and brutal murder plots, Chiara seeks a safe path through the labyrinth of Medici tyranny and deception. Beside her walks the prince’s mysterious English alchemist Ruanno, her friend and teacher, driven by his own dark goals. Can Chiara trust him to keep her secret s…even to love her …or will he prove to be her most treacherous enemy of all?


ABOUT THE BOOK :

Published by:  Penguin Group
Pages:  448
Genre:  Historical Fiction
Author:  Elizabeth Loupas
Website:  http://www.elizabethloupas.com


ABOUT THE AUTHOR :

Elizabeth Loupas held various positions in radio and television, and worked as an editor, writer, and marketing consultant.  She holds degrees in literary studies and library/information science.  She lives with her husband and two beagles. She is the author of The Second Duchess and The Flower Reader.

 

INTERVIEW:
 
The Bookish Dame is delighted to host Ms Loupas today with an author interview.  Thank you so much for joining us, Elizabeth!  Love your interesting life, and it's so great to share it with our readers.  Let's get right to it...
 
 

1)      Tell us something about yourself, please.  How do most people describe you?

Most people would probably describe me as kind of solitary and stay-at-home. I suspect I’m the only writer in the world who grew up reading Little Women and wanted to be Beth.

                Briefly, from where did the idea for your novel come from?

When I was researching The Second Duchess, I learned that Barbara of Austria and her younger sister Joanna traveled south from Austria together and were married at virtually the same time—Barbara to Alfonso II d’Este, Duke of Ferrara, and Joanna to Francesco de’ Medici, Prince of Florence. This intrigued me, and in early drafts of The Second Duchess, there were actually scenes in which Joanna (in Florence called Giovanna) visited Barbara in Ferrara. Those scenes were cut (primarily because they would have been historically inaccurate), but I didn’t forget Giovanna. A little reading about Francesco uncovered the fact that he was historically obsessed with alchemy, and the story pretty much exploded from there.

2)      Who first told you that you could write well, and how did it affect you?

The first person who encouraged me to write stories (as opposed to school “reports”) was my junior high school home room and English teacher, Maida Dugan. How I adored her! I wrote rambling romantic tales (even then I loved historical fiction) for her and she commented on them very kindly and patiently. I wish I could talk to her today and coax her to tell me what she really thought!

She also assigned us poems to memorize, and I always chose the long story-poems—Poe and Browning and Longfellow. To this day I’ll start reeling off lines and lines of poetry when something jogs my memory, much to the amazement of my husband.

3)      Which contemporary authors do you most admire?

This will vary from day to day, depending on my mood. Some contemporary authors I’m reading at the moment are Deanna Raybourn, Lisa Brackmann, Kate Quinn, Sharon Kay Penman, Anne Rivers Siddons, and Kate Morton. I hate making lists like this because I want to include hundreds of authors!

4)      Who are your favorite classical authors?

This is another case of wanting to make a huge list of thousands of names. The swashbucklers, of course—Dumas, Baroness Orczy, Sabatini, Shellabarger, Dunnett. My beloved comfort reads—E.F. Benson, Angela Thirkell, Miss Read, E.M. Delafield, Flora Thompson. Jane Austen, the Brontes, Elizabeth Gaskell, Nathanial Hawthorne. The Pre-Raphaelites—the Rossettis, Swinburne, and Browning, of course, although he wasn’t technically a Pre-Raph. Oh, and now that I’ve strayed into poetry, Edwin Arlington Robinson. Sorry, I’ll stop now.

5)      What was your first book as a child?  What’s your all-time favorite book?

The first books I owned were Little Golden Books. (Am I dating myself?) I remember The Pokey Little Puppy and one that had a fuzzy yellow cat—the pictures of the cat were flocked with velvety stuff so you could actually pet them. I was enthralled. I don’t think I have one all-time favorite book. Perhaps the six books of the Lymond series by Dorothy Dunnett—it’s all one story, so that would count as one book, right?

6)      Best book you’ve read in the past 6 months?

The one I got lost in most deeply was a re-read, ...And Ladies of the Club by Helen Hooven Santmyer. It’s enormous and reading it is like living a whole alternate life.

7)      What’s the worst job you’ve ever had?

The one (which shall remain unidentified) where I was shouted at repeatedly by my boss (who shall remain nameless). Or even worse, was trapped into sitting by while he shouted at someone else. I don’t do shouting well at all. See above about me wanting to be Beth March.

8)      What’s your earliest memory?

Being sick with the measles (according to my mother I was about three at the time) and “coloring”—scrawling all over with a bright red crayon—a drawing my older brother brought home from Sunday School. I swear I can still see all those loopy red scribbles. My brother was not amused.

As a child who liked to draw and color, in a family with musical talent, I called myself the “artical” one. I suppose now I’d describe myself as “writacal.”

9)      What’s your most treasured possession?

Barring the beagles—and I’m probably more their possession than they are mine—the first thing I’d grab in a fire would be a banker’s box filled with pictures, including the baby book my own mother lovingly created, and my own scrapbooks through the years. Oh, and I suppose the external hard drive I use for computer back-ups, so I’d have all my digital pictures and documents.

10)   Are you working on a new novel?

I am! It’s still in very early stages, so I don’t want to talk too much about it, but it will have something to do with the introduction of chocolate to Europe, and a priceless casket of cacao beans that was a Spanish princess’s betrothal gift to a French king...
 
Oh, so delightful!  You certainly are the "artical" one, Elizabeth.  I look forward to the next book in your cache.  I'm a huge fan!
 
THE BOOKISH DAME REVIEWS :
This is a delicious book of intrigue, mysticism and glamour.  Ms Loupas never fails to pull us into a story.  She had me from the first chapter with her brave and brazen young Chiara, and her introduction of the strong and stand-offish Englishman, Ruanno.  The chemistry in this book isn't just alchemy!!
Brilliant in details about the time and place of the Medici in Florence, this novel is vivid and engaging.  I couldn't help visualizing as I read. Elizabeth Loupas is an alchemist herself with the use of color-effects and characterization.  These characters are fiery and beautiful to read about.  It's a sophisticated novel, not fluff.
The plot of the story is well-developed with intrigue and mystery.  I learned a great deal about the tools and mystique of alchemy, the House of Medici, and the culture of Florence.  And the enchanting love story had me turning pages, as well.
This is a "must read" for historical fiction aficionados.  You will love the depths the story brings you into.  I dare you not to identify with Chiara! I dare you not to be obsessed with the House of Medici in all its glory and madness!
 
5 stars                Deborah/TheBookishDame
 
 
 


 
 
 
 

Tuesday, March 19, 2013

"The Sign of the Weeping Virgin" by Alana White~Medici Historical Fiction



Romance and intrigue abound in The Sign of the Weeping Virgin an evocative historical mystery that brings the Italian Renaissance gloriously to life.

In 1480 Florentine investigator Guid Antonio Vespucci and his nephew Amerigo are tangled in events that threaten to destroy them and their beloved city.

Marauding Turks abduct a beautiful young Florentine girl and sell her into slavery. And then a holy painting begins weeping in Guid Antonio s church. Are the tears manmade or a sign of God s displeasure with Guid Antonio himself?

In a finely wrought story for lovers of medieval and renaissance mysteries everywhere Guid Antonio follows a spellbinding trail of clues to uncover the thought-provoking truth about the missing girl and the weeping painting s mystifying and miraculous? tears all pursued as he comes face to face with his own personal demons.

PRAISE FOR THE SIGN OF THE WEEPING VIRGIN

“Fans of historical mysteries will thoroughly enjoy this chance to visit the Italy of 1480 in the company of real-life historical figure Guid’Antonio Vespucci, a Florence lawyer. Backed up by sure-handed storytelling and scrupulous research into the period, White creates richly evocative descriptions of Renaissance-era Florence certain to please the amateur historian and armchair tourist.” - Publishers Weekly Review

“A Florentine lawyer must solve a murder to keep his city from imploding. One hopes that White’s clever tale, meticulously researched and pleasingly written, is the first in a series that will bring Florence and its many famous denizens to life.” - Starred Kirkus Review


PUBLISHER'S WEEKLY SUMMARY :

Fans of historical mysteries will thoroughly enjoy this chance to visit the Italy of 1480 in the company of real-life historical figure Guid’Antonio Vespucci, a Florence lawyer. Returning from a government mission, he finds his home city distraught over the kidnapping of a wealthy young woman, Camilla Rossi da Vinci, supposedly by Turks. The Florentines are equally abuzz, though, over a painting of the Virgin Mary in Guid’Antonio’s family church that has miraculously begun to shed tears. Tasked with investigating by city leader Lorenzo de’ Medici, who’s preoccupied by his war against the pope, Guid’Antonio partners with his favorite nephew, Amerigo, and uncovers even more mystery, including a secret message painted by artist Sandro Botticelli on the church’s wall. Backed up by sure-handed storytelling and scrupulous research into the period, White creates richly evocative descriptions of Renaissance-era Florence certain to please the amateur historian and armchair tourist.

PARTICULARS OF THE BOOK :

Published by:  Five Star Publishing
Pages:  369 plus Study Guide  (384)
Genre:  Historical Fiction
More about this book:  Alana White
Buy your copy here:  Amazon


ABOUT THE AUTHOR :


Alana's passion for Renaissance Italy has taken her to Florence for research on the Vespucci and Medici families on numerous occasions.  There along cobbled streets unchanged over the centuries, she traces their footsteps, listing to their imagined voices:  Guid'Antionio Vespucci and his favoorite nephew, Amerigo Vespucci, was a Macavity Award finalist.  She is a member of the Author's Guild, Sisters in Crime, the Women's National Book Association, and the Historical Novel Society.  Alana loves hearing from readers, and you can contact her at www.alanawhite.com.  (Taken from the book jacket)  She is currently working on her second Guid'Antonio Vespucci mystery.


THE BOOKISH DAME REVIEWS :

While this appears to be a strong historically researched and presented book about Guid'Antoino Vespucci, his nephew and the Medici family, it was just short of being dry reading for a historical novel. The characterizations are plentiful but light, the streets and peoples are curiously drawn, and the details of Florence in the 1400s are pleasing, but, again, they are a bit shallow.  Thus, the whole is a juxtaposition of historical fact with a light fiction.  It seems to me it should have been more of one or the other. 

There is evidence that Ms White can be an excellent writer, of course.  Parts of the novel sing. Her inclusion of a certain important historical painter such as Sandro Botticelli is fun. But when nearly all the painters and artists of the Renaissance are mentioned or included in the story, it gets to be a bit much!  It's as if nothing can be left out of the Florentine city or moment, and it clogs up the storyline.

I thought the story in premise was a good one.  It just wasn't carried out to the best of its potential.  On occasion, contemporary jargon or monologue was also used in the book.  For example, at one point Amerigo says, "Oops," when a ball is shot back to a group of boys and hits the skirts of a monk.  This blend of blatant modern with the ancient didn't lend itself to the flow of things.

The weeping virgin component and a kidnapping mystery are interesting, but not especially captivating as they are carried out in reality.

All in all, I found the book a mixed bag.  It was a moderately good mystery, but it was couched in a dry mix of historical facts.  The mix was off-putting at times.  I thought, again, it would have been best as non-fiction or a stronger historical fiction on its own.

I'm sorry to say, it was only a 3 rating for me...which means just over "okay" in this case.

Deborah/TheBookishDame


NOTE:  You can find other opinions of this novel by visiting the entire tour as noted below! Some will include interviews and guest posts by the author.mine here: 

 Link to Tour Schedule at Historical Fiction Virtual Book Tours: http://hfvirtualbooktours.com/thesignoftheweepingvirginbooktour/